Prehistoric Cave Paintings Reading Answer Passage
Prehistoric Cave Paintings Reading Answer Passage
Paragraph A. It may have taken Michelangelo 4 long years to paint his mural on the roof of the Basilica of San Francesco, but his earliest forerunners spent much longer finishing their own masterwork. Analysts have detected that prehistoric cave paintings took up to 20,000 years to finish. Rather than being generated in one assembly, as palaeontologists formerly thought, many of the works detected over Europe were manufactured by hundreds of peer groups, who added to, reinvigorated and painted over the original bit of art.
Paragraph B. Till now it has been very tough to spot when prehistoric cave paintings and carvings were generated, but a developed methodology is allowing analysts to date cave art correctly for the first time and show how the works were bespoke over 1000s of years. Specialists now hope the methodology will give a valuable intuition into how early human culture grew and swapped as the first modern humans moved over Europe around 40,000 years ago.
Paragraph C. Dr Alistair Pike, a palaeontologist at Bristol University who is best in analysis, said: the art gives us a close window into the minds of the individuals who assembled it, but what we don’t know is precisely which individuals they were as we don’t know precisely when the art was made. If we can date the art, then we can date the art then we can relate that to the fossil we find in the ground and start to connect the figurative thoughts of these individuals to where, when and how they were living’.
Paragraph D. Hundreds of caves have been found over Europe with complicated prehistoric paintings and carvings on their walls. It is thought the designs, which frequently portray scenes of animals, were made up to 40,000 years ago- sometime after humans began moving from southern Europe into northern Europe during the last glacial age.
Paragraph E. Conventional dating methodology has depended on carbon dating the charcoal and other dye used in the paintings, but this can be inexact as it only gives the date the charcoal was made, not when the work was bespoken.’ When you go into these caves today there is still charcoal untruthful on the ground, so the artisan at the time could have been using old charcoal rather than making it fresh themselves,’ describes Dr Pike.
Paragraph F. ‘If this was the case, then the date for the painting would be very incorrect. Taking illustrations for carbon dating also means demolishing a piece of these valuable paintings because you need to remove a piece of the dye. For carvings, it is in effect not possible to date them as there is no biotic pigment containing carbon at ail.’
Paragraph G. The analysts have used their methodology to date a series of popular cave dweller paintings in Altamira cave, northern Spain. Called the ‘Sistine Chapel of the Palaeolithic’, the complicated works were thought to date from around 14,000 years ago.
Paragraph H. But in an analysis issued by the Natural Environment Research Council’s new website Planet Earth, Dr Pike found some of the paintings were between 25,000 and 35,000 years old. The youngest paintings in the cave were 11,000 years old. Dr Pike said:’ We have found that most of these caves were not painted in one go, but the painting bridged up to 20,000 years. This goes opposed to what the palaeontologists who dug out the caves found. It is probably the case that people did not live in the caves they painted. It looks like the cave they lived in was elsewhere, and there was something special about the painted caves.’
Paragraph I. Dr Pike and his crew were able to date the paintings using a methodology called uranium series dating, which was at first grown by geologists to date rock formations such as stalactites and stalagmites in caves. As water seeps through a cave, it contains very low levels of liquefy-contaminated uranium along with the mineral calcium carbonate. Over time, small amounts of calcium carbonate are placed to form a hard layer over the paintings, and this layer also traps the uranium. Because of its radioactive properties, the uranium slowly decomposes to become another element called thorium. By contrast, the ratio of uranium to thorium in the thin layers on top of the cave art, the analysts were able to calculate the age of the paintings.
Paragraph J. The analysts have also used their methodology to etching found in rocks around Creswell crags in Derbyshire, which was Britain’s only samples of glacial age cave art. They showed the etching was made at least 12,000 years ago. Professor Pablo Arias, an expert on Palaeolithic cave art at the University of Cantabria, Spain, said: ‘Until about 10 years ago, it was only feasible to date cave art by using the style of the figures, but this new methodology grew by Bristol University allows that date to be correctly compared. We want to study how the people of the time behaved and how they felt, and cave dweller art gives us a way of looking at the kind of symbols that were main to them. So we need to know when the people who were making the art actually lived.’
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