Sculpture Reading Answers: IELTS Reading Practice Test with Answers

Sculpture Reading Answer Passage

Paragraph A. The creation of a three-dimensional item for the express purpose of art and beauty has been going on since ancient times. Traditional sculptures have been crafted from permanent materials, including metal, stone, marble, and jade; however, several subgenres of the art form specialise on making figures of a more transitory nature, such as ice sculpture. In many countries, the sculpture has historically been connected with religious thinking; for instance, Numerous renowned sculptures in Asia are associated with Hinduism or Buddhism.

Paragraph B. Perhaps more so than elsewhere in the world, Africa favoured and celebrates three-dimensional artwork above two-dimensional artwork. Because of evidence of sculpture's existence in Pharaonic Africa, some experts place the origin of sculpture in Africa to the time of 500 B.C. Nok Civilization in Nigeria.

Paragraph C. In the presence of a trained eye, the distinctive style and medium of African art from various regions become immediately obvious. Two unique types may be found in West African figurines. The first kind of sculpture has sharp corners and pointed features on lengthy bodies; such sculptures have historically been used in religious rituals. In contrast, Mande-speaking communities' traditional wood sculptures have wide, flat surfaces on the arms and legs of their spherical arms and legs. Many consider the metal sculptures of the eastern areas of West Africa to be among the finest works of art ever created.

Paragraph D. Sculptures from Central Africa may be made from a larger range of materials, from wood to ivory, stone, or metal, making it more challenging for the untrained eye to recognise. Despite the increasing number of tills, a signature style defined by the use of curvilinear and spherical motifs remains a reliable indicator of the originality of such works. Throughout most of Africa, including in Eastern and Southern regions, it is common to see portrayals of hybrid human and animal beings. Typically, art from the former area takes the form of a human-shaped pole capped with a person or animal figure that has a strong link to death, burial, and the spiritual universe. The traditional value of such works is less appreciated than that of works from other areas of Africa. Examples of these clay sculptures of human/animal hybrids may be found all throughout Southern Africa, with the earliest dating back to about 400 and 600 A.D.

Paragraph E. There are universal commonalities that identify African art as a whole, even though there are significant and defining regional distinctions in creative expression. Mostly a common element is that the emphasis is primarily on portraying the human body. Another characteristic of African art is that it is sometimes motivated by ritual or performance, and the artist often intends for the meaning and significance of their work to be perceived differently depending on the viewer's age, gender, or socioeconomic level.

Paragraph F. There is a wider range of artists throughout Africa to provide a more abstract interpretation of their subjects rather than a realistic and naturalistic one. African art is said to have motivated and impacted artists such as Picasso, Van Gogh, and Gauguin. Beginning in the 20th century, western artists showed a great lot of interest in its capacity to evoke emotional response and imagination due to its ability to do so. Consequently, new works emerged throughout Europe that were more abstract than had been imagined before. Art that properly captured the actual and precise shape of its themes gave way to more intellectually and emotionally engaging art than had previously been seen in this society.

Paragraph G. The followers of the 20th-century "Modernism" movement aspired to go beyond realism in their creative endeavours, and hence, they encouraged experimentation in literary and artistic forms. Henry Spencer Moore, The sculptor who was born in Yorkshire in 1898, played a pivotal role in bringing his unique brand of modernism to Britain. His abstract bronze sculptures of the human form are renowned, numerous critics have seen connections between the undulating landscapes and hills of his native country of Yorkshire and the forms and lines of his sculptures.

Paragraph H. Moore’s work was increasingly in demand by the 1950s, and he was receiving prominent contracts like the one for the UNESCO headquarters in Paris. The sculptor was enormously wealthy at the end of his career owing to his reputation and the scope of the projects he did; nevertheless, a large amount of his money was given to the Henry Moore Foundation, which was founded to fund the education and promotion of the arts. Since Moore's demise in 1986, the foundation's charitable work has continued. This includes providing grants to arts organisations as well as bursaries and scholarships to students and artists.

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