Paleolithic Cave Art Reading Passage
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Paleolithic Cave Art Reading Passage
Paragraph A
Students of art history tend to be familiar with the image of horses and bison discovered in the famous cave art site in Lascaux, France, in 1940. Less well-known but vitally important to understanding Ice Age art and culture is the art discovered by three cave explorers in the Chauvet Cave near Vallon-Pont-d’Arc in Southern France in 1994.
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The Cauvat cave hosts one of the largest groups of Paleolithic drawings yet discovered on one site, as well as the fossilised remains of a number of now-extinct animals. The art found in the Chauvet Cave differs from that found in most other European caves and differs from that found in most other European cave art sites, which primarily feature prey animals such as horses, bison, wild cattle, and reindeer. The Chauvet paintings include many animals that humans would have feared: panthers, bears, lions, hyenas, and rhinoceroses. While the Chauvet paintings also include many species that would have been hunted by the artists - horses, aurochs, bison, and extinct species of moose and deer - the presence of non-prey animals calls into question a common theory that the primary purpose of cave art was to magically ensure plentiful game. Perhaps the discovery of the Chauvet art points to a shift in emphasis from the hunters’ predators to the hunters’ prey over time, but more evidence is needed.
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Carbon-14 dating has established three of the paintings (one bison and two rhinoceroses) as being 31,000 years old. This discovery pushed the common understanding of the date range for European cave art much further back than what had been assumed. It has also clearly disproved theories that earlier cave art was cruder and more primitive because these older images are equally sophisticated in execution.
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In addition to the hundreds of animal paintings, the Chauvet cave also has an image of a being, referred to as the Sorcerer, with the body of a human and the head of a bison. There is also part of an image of a woman. In addition, explorers found the skull of a cave bear placed on a squared-off altar-like rock. The cave had been untouched for thousands of years due to a rock slide that had sealed off the cave; the floor of the cave contains the footprints of humans and cave bears, fire pits, stone tools, remnants of torches, and bones from meals. After scientists collected data and recorded images, the site was placed off-limits to prevent the damage that has occurred at many other caves known for their rock art.
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Ice Age paintings in certain European caves have been externally well preserved and have reached iconic status because of their beauty and the artists’ skill in execution. As a result, many people assume that the art of early hunters and gatherers was limited to cave paintings. While the artwork in the deep caves has been the best preserved, artwork was also done on the walls of rock shelters and on rock faces out in open light. Palaeolithic artists not only painted with pigments but also created engravings by scratching designs into rock with pointed tools, as well as creating low-relief sculptures. Often, the artists seemed to have seen a suggestion of an animal's shape in a rock and then added detail by incising lines, incorporating clay, or applying pigment. In addition to animal images, most sites also have geometrical designs, including dots and quadrangles. Archaeologists have also discovered small sculpted figures from the same time period.
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Images of hands, created either by wetting the palm of the hand with paint and pressing the hand onto a rock or by applying paint around the hand, perhaps by spitting pigment from the mouth, are common. However, full images of humans are rare in the European caves. Images combining human and animal elements, such as the Chauvet cave Sorcerer, have been found in various sites as having partial images of women, but portrayals of a full human are few and far between, and they tend to be simple abstract depictions. Most of the animal images, on the other hand, are detailed, realistic portrayals of an individual animal species, not simply an abstract symbol meant to depict an animal such as a horse or bison.
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